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Sunday, June 14, 2020
Music Venue Ownership and A Popular Singer: Scarlet and Jeffah- Fynnyus Resident Reporting
Wednesday, June 10, 2020
Music in Second Life: A First Take with a Look at Maximillion Kleene and Kaleb Avedon- Fynnyus Resident Reporting
Being an academically trained media researcher, I’ve often wondered about various aspects of Second Life. The questions are numerous and never-ending. In fact, the longer I’m in Second Life the less I think I know. I ask, why do people come here? What do they get out of it? Why don’t male avatars have a penis? Why would you choose to be a furry, or why would adults want to represent themselves as a child avatar? Why is there food in Second Life? I see it everywhere. And what is the deal with music in Second Life? It’s everywhere, too, and comes in many forms. In many ways, music is a defining aspect of Second Life in the way it aurally shapes the virtual environment and sculpts emotions. Music gives our avatars something to do. Deejays create playlists, musicians play live for fans, and dance animations enliven our avatars to provide visual enjoyment. There are performers of all musical genres, clubs with live deejays who play a vast variety of musical styles, radio-like streams for our Second Life homes, and businesses, and much more.
I own a piece of virtual land and it has a music stream that I and my partner listen to. Most of you also listen to music streams. Sound streams are used by live musicians, deejays, and other denizens of Second Life. The music stream is the bedrock for all music in Second Life. But what is a music stream and how is it used? That’s another question I have and hope to get into at some point, but I want to mostly talk about the music in Second Life: those who play it live, deejays who mix it, and all the people who dance to it. My hope is to write about a wide range of musical aspects in Second Life and to give a personal touch to what I write, but also, hopefully, provide some insights to the many and variegated aspects of virtual world music. And so, this first article is about a new music venue in Second Life and a couple live performers I happened to catch.
I arrived a little late to Maximillion Kleene's live performance on Sunday, June 8th at the grand opening of the Mad Twist. I teleported there and move out of the landing zone and wait for things to rez. Meanwhile I open my inventory and go to the Animations folder and pop open a few of my favorite dance animations and click one to get my avatar going; dancing, not quite on the beat, but close enough.
Then, because I'm writing this article, I want to be as informative as possible, so I click the About Land tab and see that this new place is a live music club with club events , art gallery and many more twists! So, the theme is music and various twists . . . hmmm . . . will this bring me back here to see what sorts of twists there might be in the future? I'm not sure. What would a Second Life music club twist be? I rarely plan things out in Second Life, so it's unlikely . . . unlessssss . . . I join the club group to get group announcements. Okay, I think, I’ll do that. Well, at least I tried to join the group, but the damn group joiner did not work when I right clicked on it and all I got was the landmark to the place. Oh well, whether I return here is a crap shoot, then, unless Max comes back here. I'm in his group and go see him now and then because yes, he's really good.
Maximillion Kleene |
The next thing I do is pop open my mini-map to see if anyone is too close, I'd hate to be dancing on top of anyone. That happens from time to time in Second Life. One of the quirky things about virtual life is you don’t always see another person’s avatar right away and you run right over the top of them, or stand right on them. Anyway, I note that there’s about a dozen or so people here when I arrive, and that number will increase as the hour-long performance goes on. I also look on my mini-map to see if any yellow dots are around. Friends (people on your “Friends List”) show up as yellow dots and people who are not are green). Then I open my World tab and click on "Nearby Avatars" to see who else might be here, former friends, former lovers, exes, or whomever, but I see none. All the while, Max is doing his thing, playing music, so I settle in and delete a few of the HUDs blocking the view of the venue on my screen and go on with my analysis.
Listening, Max is a really fantastic musician and it feels like he is really into what he does. He is very professional. He strums along on guitar, has smooth key changes, and the tunes are mostly up-tempo with an occasional slow tune. He sings popular tunes by Tom Petty, the Foo Fighters, Crosby, Stills, and Nash, Duran Duran, and more. But Max is highly versatile, he has a repertoire of hundreds of songs and works in more than just guitar accompaniment. There is what sounds like a prerecorded music track of a Hoobastank song, and multi-tracking for harmonizing effects. He also plays electric guitar, and wow, it’s really good stuff! It's understandable why he's so popular. Digging into information about Max a little more, I look at his profile page. It says, "I stream into SL from Niagara Falls, Canada and sing Rock/Pop/Alternative solo acoustic tunes covering old classics (CCR to Johnny Cash) to fun, newer hip stuff (Jack Johnson, Foo Fighters, Green Day and Jason Mraz)." And he also quotes Jimi Hendrix, "The story of life is quicker than the wink of an eye...The story of love is hello and goodbye... ...until we meet again."
I’ve seen and heard Max play live in Second Life many times and will see him many more times, I’m sure. His performances are always fun and never the same.
Next was Kaleb Avedon. He performed right after Max at the same venue. His group information describes him as, "a Hispanic Singer/Songwriter in SL. He has been writing songs and playing the guitar since he was 14 years old. His repertoire is filled with romantic songs from his bicultural heritage and his own inspiration. They include songs from Garth Brooks, Jewel, Elvis Presley, Hinder, Enrique Iglesias, Jesse and Joy and many more. So come, sit by the fire, listen to him sing and be transported to a place of romance."
Kaleb Avedon |
And here again you have someone who genuinely sounds like he enjoys what he does. I would say that there's happiness in Kaleb’s voice. Today he is singing songs by Tracy Chapman, The Beatles, and some other more obscure (to me anyway), but beautiful acoustic pieces. His tenor voice with hints of falsetto, is clear and has a nice vibrato. He does one of the most beautiful renditions of Leonard Cohen's Hallelujah I can remember hearing, on par with Rufus Wainwright's version as sung in the movie, Shrek. His is falsetto vocals shine in this song, especially.
Hallelujah is an interesting song with obvious religious overtones. In Hebrew it means to rejoice in praising god. But Leonard Cohen was a clever song writer who taps into the human condition and the sexuality that goes with it. Indeed, the song alludes to the rush associated with an orgasm. We see this in the lyrics:
Well there was a time when you let me know
what's really going on below
but now you never show that to me do you
But remember when I moved in you
and the holy dove was moving too
and every breath we drew was hallelujah
“Below” is a reference to the female sex organ. She has, however, grown cold and holds back her feelings. Perhaps the relationship is dying. Thus, the meaning of love and intimacy lost emerges. It’s a complex song full of multi-layered meanings and when sung well, like Kaleb does, those meanings are further distilled and given their true essence.
Unfortunately, I didn't get to see the entire hour of Kaleb, though I would have liked to. But real life called me away and we all know real life comes first. So, it’s time to fire up the grill for dinner. Salmon in a nice marinade, yummy. Hey, I wonder if I can get that in Second Life?
Until next time . . . I remain the Wannabe Music Critic, Fynn.
Monday, January 21, 2019
Don't Sing it again, Sam - Jadey Dragon reporting
This week’s review starts out with a question. A question every lover of live music in SL needs to really ask themselves. Are we expecting too much? I took some time from my usual busy schedule to step into a world I had been avoiding for quite some time. One of those “open mic” nights where anyone and their furry can grab a stream, and let it rip. I dread going to these because let’s face it; we’re going to end up hearing a whole lot of sounds that resemble cats being murdered slowly and painfully. I wasn’t disappointed when the shrieking began. I was down to my last nerve when the woman holding the mic began to tell her story.
“My grandmother is dying. It’s a slow process and the only comfort she or I have found is in song, and so I sing. I sing for her, and for me, and I turned on my mic to sing for anyone else who just needs to know someone is there, and maybe my song will bring you back to a fond memory in time that you can focus on.”
Another singer, who was just as cringe worthy as the last, sat down one late night to tell me his story.
“ I am in a marriage that seems dead.. for 16 years I haven't had relations with my wife.. most of it is my fault, But It's weird sleeping on a sofa for so long..” he went on to tell the same story many of us know by heart. How SL is his escape, how he can be a rockstar and travel the world touring and meeting people from all over the globe.
A couple years ago Ashford University did a study on music and the brain. I could get into all the specifics of dopamine and how research has shown that listening to music is associated with upticks in immunity-boosting antibodies and cells that protect against bacteria and other invaders, but do you really need to hear all that?
The question I posed is “are we expecting too much?” Does the sound really matter once you hear the story behind it? Can you overlook the nails-down-a-chalkboard sound when you know that behind their screaming is someone’s dream coming true. Or someone else’s broken heart finding a mend in a melody.
For me the answer is … NO FRIGGIN WAY! I love the stories, I love the over sharing. I love hearing why you do what you do in SL. But I have to ask another question, why don’t you have any real friends? People who sit you down and gingerly tell you that the songs you sing may be classified as many things, but “singing” isn’t one of them. Sometimes I show up to these concerts and I look around for the hazard sign because I’m certain what you think is singing has to be a danger to someone’s health, some where!
Look, I’m all for finding your passion in SL. Take a cooking class, learn to paint by numbers, go on a hunt, pose naked with your friends in front of a taco truck. I don’t care what you do, but for the love of bacon, stop turning on your stream and slaughtering “Purple rain” I beg of you!
Friday, January 18, 2019
Jadey's Center Stage Reflections: Music Critic - Jadey Dragon reporting
C C (Camme Carver)- Live, Acoustic guitar playing, singer.
I feel the need to immediately point out that this wasn’t a woman with a backtrack drowning out the sound of her own voice. Although she was rather low in volume, make no mistake she was playing her guitar live! She’d occasionally tune her guitar as she spoke to the crowd which of course is a dead give away. She was personable, and quick to thank her supporters every chance she got. But those are minor details. I started my review by reaching out to her manager ‘Bad” and asking for a bio. Let’s be real, it was thrown together and offered very little insight into what I was about to experience. I tossed the notecard and the conversation aside and sat back to experience it all as nothing more than a concert-goer.
The first note arrived with force, and I was immediately reminded of the Great, legendary, Linda Perry from 4 non-blondes. So I was pleasantly surprised to find “What’s going on” in her song list and wasted no time requesting it. Yep, CC nailed it, despite the rumbles in the crowd of having a cold, she delivered the song beautifully. As she did with most of the songs she tackled.
There were a few songs that didn’t arrive to the same level as the first, but I think that might have been more an equipment issue, than a performance issue. You be the judge.
I would personally categorize her music as indie rock, but that’s more based on her voice than her song list. She claims to be able to reach the soulful depths of music like Fleetwood mac, to Nelly Furtado, which is quite confusing when you’re attempting to put her in some type of genre. However, I think that’s part of her charm.
“CC is one of the most beautiful caring women I know in SL. He voice stands out to me because she is so down to earth, always has a smile and is genuine” Stated Anastasia Yanwu, a self proclaimed fan, and friend.
In fact, every single person I spoke with in the crowd was quick to tell me that not only is CC a great singer, but she is kind, humble, and down to earth. So the occasional notes she missed, and yes there were a few, made no difference to them, or me for that matter. You wanted to see her succeed as her personality erupted with every note, good or bad.
Stoney Nider, another fan and friend said to me “she has soul and emotion in her songs” and I couldn’t agree with him more. CC wasn’t just standing there collecting coin going from cover to cover without emotion, she made you feel every word. Her delivery felt personal, and story-telling rather than karaoke, which alone makes her stand out in SL.
So I conclude giving Camme Carver a strong 8 out of 10, losing points for volume and clarity of her equipment but gaining points on her performance and emotional connection with the crowd.
Rock on my sista, Rock on!!
Camme Carver contact information-
Manager- BĄĐ (BadOne Resident) of “Bad Management”
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