It was Saturday morning March 22, 2014 as I
pulled up a seat at a bistro-style table, awaiting for a fashion show themed
for the Great Gatsby.
I was able to get a seek peek of the models behind the scenes.
I examine the gowns, suits, and dresses that were on the mark with the era and
the costumes of the movie released in 2013. The runway room was dark with white
accents brimming the edges. It was very film noir.
The room slowly fills with eager eyes, as the
anticipation built for show time.
The clothing worn were created by different designers,
leading me to believe that this fashion show was more of a showcase of
novitiate fashion talents, rather than designs.
"You are the Evolution manager, right?" I ask
Locked Semaphore.
He confirms his managerial status with a yes. Bingo! I
had come to the right man. I was curious about Evolution, as I have never heard
of the fashion brand.
Locked happily acquiesced, more than glad to relinquish
whatever information he could about the brand. So, I naturally asked "What
is Evolution?"
Locked answers, "We started as just
"Opium" - a fashion agency - but we always did more that runway type
shows".
Just as I had figured. He then continues, “more like
stage productions - usually based on a book or movie theme".
I was still curious about the fashion agency, but my
curiosity was more focused on whether the agency educated their models; Locked
stated, "We still maintain educational classes - but mostly for our
in-house models". This meant that there is an education component, but the
focus was more so geared towards continued education of the Opium Evolution
models, and not those seeking to enter into the realm of fashion.
I was able to spot the owner, but she was far too
preoccupied with hosting the fashion show that was mere minutes away from
pulling us into the fashion rapturing.
I turn my attention back to Locked, “How long has the
agency been in business?" There was a pause, assuming for collection of
thought, before I received an answer, “I would check with Ana [the owner] for
an exact time but it has been at least 5 years." This is an impressive
amount of time, I am guessing for a fashion agency to have doors open.
The countdown continues as nerves are jiggering and
spirits are high in wait for the show to commence. I was curious to ask a model
of his/her experience with the agency and the sensation before a show.
I walk about the grounds before bumping into a model,
Habib Maalouf. He was equally ecstatic to hiccup any information. He tells me
that his experience has “been a great and magical experience". He then
goes on to mention that the "agency is always doing [an] out of the box
presentation for everyone, for every designer". I also questioned his
sentiments and gut before talking flight on the runway, "I am excited and
I hope lag will not kill me". Lag is his only concern as I am informed
that he and the other models "have lots and lots of rehearsals" to
ensure they are confident and set their skills.
The show had begun and, boy, was Habib right, this
fashion show was like none other. Instead of a runway, there little vignettes
of fashion. The first was an immersive vision of pieces by the late Donna
Flora. The next featured fashion in a unique and beautiful manner-a mini concert
featuring models in roles of musicians and a songstress.
As we continued to roll through the fashion vignettes, we
looked on in awe at the fashion mannequins strut forward. I closely watched and
inspected clothing for pieces that were inspirational, and I was shocked along
with my compatriot at the antiquated pieces featured in the show. In the words
of my new friend, "is that an [entire] prim outfit on Brittany (one of the
models), in 2014?" I agree! I understand that every designer is at different
levels of creating, but to feature entire prim outfits, especially ones of poor
craftsmanship is tacky and a complete turnoff.
I dare not mention
the designer for "fear" of "backlash", but I will say to
the designer, return to the sketch pad for your skills are in need of revamping
my dear.
After visually partaking in this long drawn extravaganza,
the audience begins to applaud and the grand finale comes to the horizon.
I definitely took in the experience as I've learned from
and enjoyed all that the vintage fashion world had to offer.
But, before I departed from the party, I had to get a few
words from the Opium Evolution owner, Anastacia Markova. I got right into my
question, “What was your inspiration behind Opium Evolution, and why put on
productions of this nature?"
Ana quickly answered, " it isn't always famous
stories but, we have done a lot of them :) it is fun to recreate and put some
modern twists to things and adding fashion is the frosting on the cake. We want
to give designers a creative avenue to sell and show their wares. It’s
fun!" As far as Opium Evolution, Ana says the company has "just
celebrated 5 years [of production magic] in October with our Haunted
Mansion". And after seeing the Great Gatsby themed show, I can definitely see
why the company is still going strong after five years.
As I thanked Ana,
I parted ways and indulged in the little party happening in celebration of a
production well done.
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